space in time
“It's a constant checkmating, as if I'm playing chess in three dimensions,” says interior designer John Saladino of the juxtapositions he employs (and enjoys) in executing his signature interiors. The apartment here, a typical two-bedroom in a luxury white-brick 1960s high-rise, was opened up so it could be reimagined as a contemporary living environment defined less by convention and more by wall treatments that act as foils for unexpected pairings of furnishings.
The clients requested a warm habitat for their Manhattan pied-à-terre. Saladino complied with warm color and classic architectural elements: He used their nicely worn carpet, faded to an appealing shade of tomato bisque, to develop a palette for the living, dining, and entry areas that open onto each other. Cocoa walls softened with a “veil” of draped chain create a bit of mystery in a diminutive foyer distinguished by an 18th-century Ionic column. In the latte-toned main living area, standard eightfoot ceilings and limited window surface begged deft sleights of hand: The designer pushes the envelope with lighting techniques and by exaggerating the room’s verticality. A series of floor-to-ceiling silk panels is hung on tracks along the window walls, behind the seating. The panels are backlit either by natural or soft incandescent light, depending on time of day, to create the illusion of continuing space. A “modern tapestry” of velvet and leather on another wall zones one end of the room for a long table with pull-up chairs. Suspended from a steel rod via lacing, the fabric hanging also serves to quiet the spot—both figuratively and literally. Two tables are, in fact, worked into the open plan—accessorized in ways so that neither shouts “dining”—to make it possible to take meals for two or in greater numbers, but not sequestered in dedicated rooms of limited size and service.
In the cool blue master bedroom, a high upholstered screen visually stretches one wall, suggesting comfort. It is an elegant solution that precludes the need for a separate headboard. The second bedroom, converted to a smart, tailored den, serves as sitting room suited to the occasional overnight guest. Like a fine couturier, Saladino takes pride in his role of dressing a home to take full advantage of its best features while playing down the less desirable or functional features. “My approach is to create a reality that is better than the one I’ve been given,” he says.
Resources:
John Saladino of Saladino Group & Saladino Furniture, 200 Lexington Ave., Suite 1600, NYC 10016; 212.684.6805; 212.684.3720; saladinostyle.com. All modern furniture is from Saladino Furniture Inc., and all the custom pieces are by Saladino Group.







